MAINE SHOTOKAN KARATE ASSOCIATION

1ST KYU GRADING EXERCISES - Brown Belt

KIHON
ZENKUTSU DACHI – GEDAN BARAI (Front Stance – Low Block)
FORWARD: MAE GERI - JUN TSUKI 5 TIMES
(Front Kick - Front Punch)
FORWARD: MAWASHI GERI–GYAKU TSUKI 5 TIMES
(Roundhouse Kick-Reverse Punch)
FORWARD: GYAKU TSUKI – MAE GERI – JUN TSUKI – GEDAN BARAI 3 TIMES
(Reverse Punch – Front Kick – Front Punch – Low Block)
Turn and repeat: GYAKU TSUKI – MAE GERI – JUN TSUKI – GEDAN BARAI 3 TIMES
   
ZENKUTSU DACHI GAMAE (Front Stance)
FORWARD: MAE GERI – MAWASHI GERI 3 TIMES
(Front Kick-Roundhouse Kick using different legs)
Turn and repeat: MAE GERI – MAWASHI GERI 3 TIMES
FORWARD:  YOKO GERI KEKOMI  - USHIRO GERI 3 TIMES
(Front Leg Side Thrust Kick - Back Kick)
Turn and repeat: YOKO GERI KEKOMI  - USHIRO GERI 3 TIMES
   
KIBA DACHI GAMAE (Horse Riding Stance)
   
FORWARD: YOKO GERI KEAGE –YOKO GERI KEKOMI 3 TIMES
(Side Snap Kick-Side Thrust Kick using the same leg)
Turn and repeat: YOKO GERI KEAGE –YOKO GERI KEKOMI 3 TIMES
   
KATA
Choose One: BASSAI-DAI (Storm a Fortress)
JION (Name of a Temple)
ENPI (Flying Swallow)
KANKU-DAI (Viewing the Sky)
TEKKI SHODAN (Horse Riding Straddle No1)
   
KUMITE
JIYU IPPON KUMITE (HIDARI) (Semi Free One Step Sparring)
ATTACK & DEFEND: 2X JODAN, 2X CHUDAN, 2X MAE GERI,1X YOKO GERI KEKOMI & 1X MAWASHI GERI (Both Sides)
   

These forms of combinations require a high degree of skill. When delivering each technique, remember that the breath should coincide with each movement resulting in all the power being concentrated at the moment of impact, i.e., breathing in through the nose during motion, before driving the air down to the lower abdomen and out through the mouth and applying KIME to each technique within the combinations. In Kata, the movements should flow smoothly from one to the next while showing intention, attitude, concentration, and confidence. We move a stage further in Jiju Ippon Kumite where one must improve one’s ability to execute effective Body Evasion (TAI SABAKI) during defense, and fast, strong movements during attacks while learning to move with your opponent and thus achieving harmony with him. One must coordinate the opponent’s breathing, mind and Ki with your own, paying particular attention to distancing (MAAI) and finding his breathing rhythm.

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